Poetry Matters (16): Awel Aman Tawe Competition 2012

Wind power (as it once was) . . .

I wonder what global warming means to ME, to YOU?

Perhaps, like me, you have recently been mesmerised by the stunning images and stirred by the alarming commentary in the recent BBC series, 'Frozen Planet'. I see there is still a programme of highlights to come.

Living metres from the water and having had a telephone call about a particularly high tide from the Environment Agency in the last fortnight, I have had cause to ponder this question once again. If you write poetry in English or Welsh, you may like to enter the Awel Aman Tawe Poetry Competition for 2012 on (you guessed) . . .

CLIMATE CHANGE. 

Carol Ann Duffy is the judge for entries in English. Elin ap Hywel is the judge for entries in Welsh. The closing date is 31 March 2012.

Details of the anthology from last year's Awel Aman Tawe competition can be found here.

Window on Wildlife (14): Caretta caretta

My 'turtle' photo

I was writing one of my 'turtle' cards this afternoon when I came across the term, 'Caretta caretta', in the latest issue of The Dawntreader (Indigo Dreams Publishing).

I was delighted when I found this poem, 'The Lost Egg of Caretta caretta', on the web. The ecological forum belongs to the Katelios Group, which concerns itself with sea turtles, the environment and volunteers in Kefalonia (of 'Mandolin' fame). 

I thought you might like to take a look at my turtle photo, which graced the card I was writing earlier. The picture was taken a little way round the Peloponnesian coast from Pylos (of Homeric fame). The strange thing is that I was pretty convinced that the Caretta caretta sea turtle had eluded us on our week-long Greek Odyssey. . . until I uploaded the photo above on our return to Wales.

Do YOU see a turtle there? Sometimes I wonder if there are two . . .

Going Green (1): Writing Workshop on Climate Change

I have been continuing to enjoy the annual Dylan Thomas Festival in the Dylan Thomas Centre in Swansea.

I spent Saturday afternoon at an enjoyable, informative and highly stimulating workshop on the topical theme of 'Climate Change'. The afternoon was organised by Emily Hinshelwood and led by eco-poet, Susan Richardson (and here). It proved a very popular event, and a good time was had by all. We balanced a spell of organic writing with a time set aside for a more structured approach, in which each participant began to create a poem in response to various prompts around the given theme.

Emily Hinshelwood and Susan Richardson

The workshop was delivered under the auspices of Awel Aman Tawe. This organisation is running a poetry competition to encourage people to write their own 'Climate Change' poems. Gillian Clarke, the National Poet of Wales, and Menna Elfyn, award winning poet have agreed to act as judges. The closing date is 30 November 2010. There are categories for adults and children, with prizes of £200, £50 and £25 (adults) and £20, £10 and £5 (children). Further information is available from the Awel Aman Tawe website, if you tap 'competition' into the search box. It's time to formulate those ideas.

Poetry Matters (15): National Poetry Day 2010

Susan Richardson, Sarah from Cover to Cover Bookshop, Susie Wild

 We had a stormy evening yesterday, with waves lashing over the road at Mumbles in Swansea. However, we scuttled inside and were treated to some brilliant readings and recitations at the Cake Gallery, an atmospheric venue with fairy lights and paintings. The National Poetry Day event had been arranged by Sarah from Cover to Cover. Thank you to all those who were involved. 

Susan Richardson (and here) read - well, recited the poems by heart - from Creatures of the Intertidal Zone (Cinnamon Press) and from her forthcoming collection. Susie Wild kept us on our toes with a mixture of poems and fiction.

A good time was had by all ... and we enjoyed the olives and other nibbles, too. It was a great evening.

Green Moment (1): Organic Fortnight - and the Eden Project

Welcome! | Croeso!

This post is part of
Crafty Green Poet's Blogfest
to mark the Soil Association's
ORGANIC FORTNIGHT
3-17 September 2010

Thank you,
Juliet,
for arranging this enterprise.

"It is poetic that a china clay pit, so Cornish in essence, has been given another life.
It is a constant source of inspiration for me and continues to get better and better.”

Anthony Eyton R.A.
Artist in Residence,
The Eden Project

I wonder when you last had a 'green' moment.

I vividly recall my first visit to the Space Age biomes
of the Eden Project in Cornwall, back in 2002.
The structures alone were impressive.

However, I was particularly struck by the 'recycling work'
that had given the old China Clay pit a new lease of life
as a place in which people could come to enjoy themselves
and learn a great deal about the world around them.

The colours of the plants were vibrant.
The scents were intoxicating.
You could feel droplets of humidity on your skin.
The organic coffee in the café was delicious.
Birdsong resounded through the jungle!

I was so captivated by Eden that I came home and wrote a long (semi-fantasy semi-autobiographical) poem about my visit, under the tutelage of Susan Richardson, as part of a Disability Arts Cymru project. The poem, 'The Cheerful Chocoholic Woman Goes Exploring', was published in Hidden Dragons | Gwir y Grymus (Parthian Books 2004).

The poem revolves around my (imaginary) Biome conversation with a Praying Mantis (and here), who makes me appreciate the qualities of our fragile earth in a new light - as you will see from the following quotation:

He tells her all about the concept of fair trade,
about sustainable forests and water aid.
‘I have seen lots of wonders, but it’s time to depart,’
sighs the chocoholic woman, with a burdensome heart.
‘I envy those Aztecs with their cocoa bean brew,
mixed with spice from the chilli to warm them right through!’

The Chocoholic Woman finally arrives home, flinging 'chocoholic chippings' from her 'chocoholic heels', only to discover with a sense of panic that the 'snowy peaks of chocolate treats' beside her favourite chair are not, in fact, organic...

You may like to read about:

• The Eden Project Real Cool Futures Project, with a case study on Clio Turton who has worked as a manager at the Press Office of the Soil Association.
• The Eden Project Blog
• The Eden Project Shop (how about some Christmas present ideas?)
• Why Organic? - from the Soil Association
  

If chocolate is your thing, you may like:

• Divine
• The Divine Chocolate Blog
• The Divine Deep Dark Chocolate Competition (still time to enter)

If you enjoy poetry, you may like:

• The winning poems of the 2009 Divine Chocolate Writing Competition (judge, Anthony Horowitz)
• Organic Poetry (N.B. this site is about organic - or free-form - writing, rather than organic produce)
• An obituary (1994) in The Independent for Jack Clemo, who found inspiration in the china clay pits.

Enjoy Organic Fortnight ...

and don't forget to visit
Crafty Green Poet

and

here

the other participating blogs, linked to the site.

And finally ... if you like the thought of a Praying Mantis, you may enjoy Naquillity's post about a Walking Stick here.

Conservation Corner (6): Biodiversity Week, Wales

"Keep a green tree in your heart and perhaps a songbird will come."

Chinese saying

Better late than never: I have just stumbled across the fact that this is Biodiversity Week in Wales. If you live in Wales, you can find out about your local Biodiversity Record Centre here. You may have heard about the iSpot website on BBC Springwatch, where you can share information (and images) about nature. You may care to look at the Springwatch Wild Day Out page.

I noticed that Kenfig Nature Reserve celebrates the week with its first sighting of a Cypress Carpet moth, Thera cupressata: what a great name!

There are other initiatives and websites, too:

• Coed Cadw | the Woodland Trust has an ancient tree trail through Bute Park, with packs and sticker books.
• Activities in the Trefechan and Merthyr area, including bat detecting, poetry and bushcraft skills
• Swansea and Gower events include a number of Seashore Safaris.
• What biodiversity means in Swansea

N.B. Please don't forget the RSPB Make Nature Count survey of garden birds and mammals ... the details are here.

Window on Wildlife (12): Damselflies

These creatures begin life in the water and move out from it as they develop. We have about forty types of Dragonfly and Damselfly in the UK. More than twenty species can be seen at WWT Llanelli. I am wondering how many varieties I have spotted here and at Dinefwr near Llandeilo.

This is my first attempt at identifying the different kinds of Damselfly, and I am finding it a tricky task. If any reader can put me straight over wrong identifications, I would be very grateful!

WWT Llanelli

[a]

Above

Enallagma cyathigerum - Common Blue Damselfly

[b]

Above

Ischnura elegans - Blue-tailed Damselfly

****

Dinefwr

[c]

Above

Enallagma cyathigerum - Common Blue Damselfly

[d]

Above

Enallagma cyathigerum Common Blue Damselfly

[e]

Above

Ischnura elegans - Blue-tailed Damselfly

The ‘threads’ here indicate a damselfly recently emerged from the aquatic nymph phase.
My thanks to Professor P. Brain for this information.

[f]

Above

Enallagma cyathigerum - Common Blue Damselfly

[g]

Above
Enallagma cyathigerum - Common Blue Damselfly

[h]

Above

Ischnura elegans - Blue-tailed Damselfly

[i]

Above

Ischnura elegans - Blue-tailed Damselfly

[j]

Above

This may be the...

Pyrrhosoma nymphula - Large Red Damselfly

N.B. Each letter - [a], [b] etc. - is meant to represent an individual Damselfly in the photo below.
There may, of course, be more than one picture of the same species!

• Damselflies on the British Dragonfly Society site
  

My previous post is largely about the Dragonfly.

Window on Wildlife (11): Dragonflies

These creatures begin life in the water and move out from it as they develop. We have about forty types of Dragonfly and Damselfly in the UK. More than twenty species can be seen at WWT Llanelli. I am wondering how many varieties I have spotted here and at Dinefwr near Llandeilo.

I am a total novice at Dragonfly identification; any help here would be appreciated!

WWT Llanelli

[i]

Above

? Aeshna juncea - Common Hawker

P.S. July 2010: For an update on this I.D. [i], please see comments below!

[ii]

Above

Sympetrum striolatum - Common Darter

[iii]

Above

Sympetrum striolatum - Common Darter

[iv]

Above

Sympetrum striolatum - Common Darter (female)

[v]

I have not been able - as yet - to identify this Dragonfly.
It had compact heavy features
and seemed to enjoy dive-bombing, 'helicopter-style', into the water.

Same as above

Same as above

Same as above

Same as above:
I think it may be a Chaser
(having looked at a Four-Spotted Chaser on the Kenfig blog here)

[vi]

Above

I think this is a Hawker of some description!

[vii]

Above
Common Darter, Sympetrum striolatum
Family Libellulidae - Chasers, Skimmers and Darters

N.B. I have attempted to give each individual Dragonfly a number e.g. [vi],
which will appear just above a its photograph.
It is possible that there may be more than one example of any species.

• British Dragonfly Society
  

I will focus on the Damselfly in my next post.

Carnival Time (8): Guardian Hay Festival

More Images
from the Guardian Hay Festival 2010

N.B. Wordle to right...

Above
The Wiggly Worm Garden
'Relax Explore Learn Enjoy'
Wiggly Wigglers is an award-winning natural garden company

Above and below

Magnetic Butterflies
winging messages from individuals
in the SkyArts Tent

We had fun decorating our butterflies...
... and even more fun trying to get them to stick to the mesh on the roof!

Below

The 'Second Poetry Jamboree' Banner

Below

The Swimming Reindeer

Late Magdalenian, approx. 12,500 years old.
Provenance: rock shelter of Montastruc, Tarn et Garonne, France
British Museum

We so enjoyed the inspirational event by Neil MacGregor,
Director of the British Museum,
on his Radio 4 series,
'A History of the World in 100 Objects'

After the talk we were able to handle a few objects, like this remarkable piece.

All in all, it was a great day out...
and even the weather was glorious!

• BBC on the programme
• Times Online about the series
• The book is coming...
• Add your object... (as Andrew Motion does)
  

Something New (1): Green Leaf Worm

Caswell Bay,
Gower, Swansea, South Wales, UK

I keep trying to hone my skills of observation, and am always on the look-out for something new. I owe so much to those of you fellow-bloggers who consistently draw my attention to unusual aspects of the natural world. Thank you.

It has been an amazingly sunny weekend here in South Wales, with hardly a cloud in the sky. We spent quite a bit of time on the coast. I was delighted to see a Common Starfish at Caswell Bay on Gower. I must have occasionally seen these fine creatures before, but I can't think when that would have been. It was a great thrill to see the Starfish clinging to the side of a rock pool. The translucent tangerine colour was amazing. I was so frustrated that I did not have my camera with me at the time - my own fault entirely, of course.

We also saw quantities of extraordinary green worms on the rock faces around the edge of the beach. Neither of us is aware of ever having seen these creatures before. What did we do in the days before Google? As a youngster, I turned, of course, to the weighty volumes of the Children's Encyclopedia Britannica. Anyway, a quick Google search led me to Jessica's Nature Blog, and enabled me to discover that these worms are Green Leaf Worms Eulalia viridis (Linnaeus). Do follow the link to read about them and to see what they look like! Jessica Winder's photograph also solves another mystery: it has helped me to identify an unattractive orange substance - like a slime or fungus - that we noticed in rocky crevices. Apparently it was 'encrusting sponge' (you can see some amazing examples here by clicking and scrolling down). Thank you, Jessica.

We also noticed some small fairly uniform spherical creatures along the tideline. They were like transparent globules, about 1cm across. I wondered if they were perhaps eggs of some kind, or Sea Squirts or baby Jellyfish. It seems likely that they were either Sea Gooseberries aka Comb Jellies (Ctenophores), exactly like the one in the photo here, or Salps. Salps are Tunicates, which have sac-like bodies enclosed in a membrane-tunic, with two openings or siphons for absorbing and dispelling water.

'Curiouser and Curiouser'...

• Jessica's Nature Blog
  

Poetic People (37): Juliet Wilson

'Unthinkable Skies' (2010) by Juliet Wilson (aka 'Crafty Green Poet')
Calder Wood Press

28pp, £4.50 plus p&p - UK £1, Europe £1.50, Rest of the World £2
ISBN: 978-1-902629-28-5

Juliet Wilson*
author of

Unthinkable Skies

'poems reflecting Juliet's deep and wide-ranging concerns
for our planet and its inhabitants - human and animal.'

Juliet very kindly agreed to answer some questions about her new book, 'Unthinkable Skies'.

'All poetry should aim to be like birdsong' ~Juliet Wilson

1.) The title, 'Unthinkable Skies', is both evocative and arresting. At what point in the (writing/publication) process did you settle on this title, and why did you choose it?

Unthinkable Sky is a phrase from the poem Domesticated (p11) and I thought right from the beginning it would make a good title and loose theme (covering birds, the colour blue, galaxies, air pollution etc). I changed it to the plural at a later stage. Having a title and theme as soon as I started really helped to focus my mind!

2.) 'Unthinkable Skies' as a collection demonstrates your concern for our fragile world. At what age did you first become aware of 'green issues'? (I guess I have 'Drift' and 'Mistaken Identity' particularly in mind).

I was very interested in bird-watching and nature from very early on. I was probably seven when I did the jigsaw I mention in ‘Drift’. I first became aware of conservation as an issue through books and TV documentaries when I was about nine or so.

3.) As a left-hander, I instinctively turn to the back of a book. I was delighted to find a selection of your Haiku and Senryu on the last page. I also enjoyed your Ghazals, 'Malawian Moon' (p.3) and 'Endless Skies' (p.20). Why are form and poetic craft important (assuming that you feel they are); and what is it that appeals to you particularly about these forms?

I think all poets need to understand form and craft. This doesn’t mean that we should only write formal poetry and I write a lot of free verse myself. I think writing formally develops poetic discipline and a feel for the rhythms of language. I think also it’s a good discipline for poets to have a couple of favourite forms that they aim to ‘master’.

Haiku appeal to me because of their brevity, their traditional connection with nature and the seasons and the fact that there is so much more to them than meets the eye.

I discovered the ghazal relatively recently. There’s something magical about the repetition of the key word and the way the stanzas stand alone but interact to make something bigger.

4.) You edit the popular online poetry magazine 'Bolts of Silk'. How does your role as editor strengthen your role as poet - in your opinion, of course?

I really enjoy editing Bolts of Silk. Since the beginning I’ve had a steady stream of poetry to choose from, most of it excellent. This has offered me the chance to read quite widely from contemporary poets who I may otherwise never have heard of (I think it’s vital for poets to read a lot of poetry). Editing itself also has improved my critical eye which has probably helped me to improve my own writing.

5.) Like many others worldwide, I enjoy following your 'Crafty Green Poet' blog. Does blogging fuel your poetic output - and if so, in what ways? Do your recycled handicraft ideas go hand in hand with your writing?

Blogging helps to keep me going as a writer because I know I’ve got an audience! I’m always looking for things to blog about which helps me to find ideas for poetry. There are times though when I feel that blogging steals time from writing poetry.

Crafting gives me time to think and let my mind wander - I often have poetic ideas while I’m sewing or making collages. I hope to be able to make more collage versions of my poems in the future.

6.) Those of us who read your blog know that you regularly patrol a section of the Water of Leith in Edinburgh, Scotland, for conservation purposes. Wildlife plays a key part in your published poetry: do you make mental field observations while you are out and about, or do you use a dictaphone or notebook?

When I’m walking along the Water of Leith I always carry a notebook with me and record everything that way. At other times and in other places I’m often making mental notes rather than writing things down.

7.) Your poetry is concise and your words are chosen with care, sometimes with sound in mind e.g. 'scurry', 'shush' and 'skirr' in 'Turnstones' (p.29). You hint at more than you describe, and draw inspiration and imagery from emotion and the senses. Why is it more effective to 'show' than 'tell'?

I like poems that can be understood on a first reading but that reveal more on subsequent re-readings. I think showing rather than telling can draw a person into a poem and into the re-reading of it. Any poem should bring the reader’s imagination into play!

8.) Which poets - or authors - have been influential? In what ways (in a few words)?

a) Ruth Padel – who has wonderful stage presence
b) Margaret Attwood – whose poetry always gets to the heart of things
c) Edwin Morgan – the most imaginative poet in the English language

9.) We have mentioned 'Malawian Moon'. I know that my own year in Rome was life-changing. How did your two years in Malawi transform your view of the world?

Living and teaching in Malawi was an amazing experience. It gave me first hand experience of life in a very different culture and climate than the one I was used to, which helped me to see things in a bigger perspective. It was also a place that really inspired my writing.

10.) Those of us who follow your blog really appreciate your bird notes, with links to the RSPB site. Are there similarities between birds and poems?

Haiku are like songbirds in being small and perfectly formed and dependent on the seasons. All poetry should aim to be like birdsong, uplifting to the ear but with something worth saying too.

11.) Your publisher is Calder Wood Press. Please tell us a little about the press and about your part in the publication process.

Calder Wood Press is based close to Edinburgh, in East Lothian. I’ve known Colin Will (who runs the press) for several years. The press publishes a small number of poetry chapbooks every year, mostly by Scottish poets. Colin works closely with poets in producing their books. I sent Colin an initial selection of poems, we then worked together to select the final poems. I also provided the cover photo.

12.) What advice would you give to someone preparing a first collection?

Believe in your work. Place individual poems in reputable journals. Find a good small publisher, preferably a local one, to publish your first collection, which is more likely to be a pamphlet or a chapbook rather than a full length collection. Network a lot to create an audience for your work.

•••

Thank you, Juliet, very much indeed for your answers and information. 'Unthinkable Skies' has certainly made me want to continue to explore our world and our use of words. I very much hope that readers of this interview may care to visit the Calder Wood Press site (link) and order a copy of 'Unthinkable Skies' for themselves. This is a book that has made me think and feel.


* Photographs (under copyright) kindly supplied by Juliet Wilson

Beautiful Birds (21): Gower Gyr-ations at Rhossili

Rhossili Down
is just behind the beach, off the photo to the right.
The visible wreck is the Helvetia.
Worm's Head is off the photo to the left.

There has been a further Gyr Falcon sighting in the Gower region. You can read about the Gyr here, with a great photograph, too.

• Earlier Gyr sighting, last Christmas in South Wales
  

Competition Corner (4): Spring Fever

March 2010: Sunset
Seeing out the last traces of winter?

Above: clumps of spawn underwater.
Clumps of spawn float to the surface in large round clumps
so that the eggs can be warmed by the sunshine.

Above and below: surface spawn
clumps so that the sun can warm the eggs.
The spawn floats to surface in large round clumps so that the sun can warm the eggs.

Below: Frog

I wonder which date marks the start of spring for you.

Here in Wales we often associate St David's Day on 1 March with the start of the new season. Midnight (more or less) on 20 March is considered the official first day of spring for 2010 in the Northern Hemisphere, as this corresponds with the Vernal Equinox when the sun will lie directly over the equator. The Southern Hemisphere will observe the Autumnal Equinox on that day. I understand that Australia and New Zealand designate the first day of September as their official first day of spring.

I wonder what signs you particularly associate with the new season. Here in Wales it could be the sight of new lambs or the first daffodil. We saw our first frog spawn (pictured above) at the weekend in Carmarthenshire. The frog photo was 'one I took earlier', but I thought it was encouraging to think that this handsome creature is the end product of the metamorphosis - not forgetting the tadpole stage in the middle.

There is still time to go over to the WriteLink Spring Fever Poetry Competition and cast a vote and/or leave a comment. The poll will close on 21 March, so there are only a few days to go.


You can read my puffin poem here (and the page gives access to all the other competing poems). Details of the contest can be found in my previous post here. A big thank you to those who have been along and left a mark already!

Beautiful Birds (20): On a Wing and a Prayer...

Owl-Eyed
(This is a Long-Eared Owl - I have yet to capture a Barn Owl on film...)

You may well have read A Gull on the Roof by Derek Tangye or Beasts in my Belfry by Gerald Durrell, but I wonder whether you have seen these statuesque juvenile Barn Owls in the stone quatrefoil. Do take a look here at the amazing shot by photographer, Richard Brooks. The church is Christ Church, Fulmodeston in Norfolk, the beautiful county where I lived during my teenage years.

P.S. I was browsing through the Durrell Wildlife Conservation Trust site for this post, when I came across a curious feature on the Mountain Chicken. How much do you know about this threatened creature? You can read about it here.

P.P.S. On the subject of wildlife conservation and literature, do read about Wildlife Poetry and the Born Free Foundation Poet-in-Residence, Richard Bonfield. Many of us have followed Richard's work over the years in magazines like Reach Poetry (Indigo Dreams Press).

Wonderful Words (10): Withywindles and other Watery Words

In Xanadu did Kubla Khan a stately pleasure-dome decree:

where Alph, the sacred river, ran through caverns measureless to man.

Samuel Taylor Coleridge

Above: The Peat Moors Centre near Shapwick Heath, Somerset Levels
The Centre has now been closed down.

Below: The Somerset Levels

The Weaver of Grass is hosting a meme today on dialect words for a small river. Like others from different corners of the globe, I have left a few 'stream' words in her comments box. You may be wondering about the 'withywindles' in my title. 'Withywindle' is a word used by Tolkien for an old winding river.* The verb 'to windle' means to meander. 'Withywind' was a name for bindweed: you can begin to see the connection.

I have been thinking around the subject of dialect, and the origin of the many Welsh and Cornish place names I tend to take for granted. I have lived in Wales now for nearly two decades. I grew up in rural Norfolk, where we had some marvellous local expressions. I have spent a lot of time in Cornwall, home of my great grandmother and great aunts, where wonderful words abound. All these are watery places. I also have ancestors who hailed from Somerset, with its marshy Levels.

WALES: I will begin close to home!

South Wales has, in effect, three broad dialect-specific areas in terms of vocabulary and phonology.
The dialects in question can be referred to as Demetian (Dyfed/Pembrokeshire), Central Southern (Ceredigion and Ystrad Twyi), and Gwentian (Gwent and Morgannwg). There are many local specialities within these broad groupings. In Mumbles, for instance, (with its Upalong, Outalong and Inalong residents), we find the words 'PILL' (as in Blackpill, on the way to Mumbles from Swansea) and 'LAKE' for 'stream'. Incidentally, I have often walked to Frenchman's Pill on the Helford River in Cornwall, thinking that 'Pill' meant 'Pool', but those who read Daphne Du Maurier's novels will not be surprised to find that it can also mean 'CREEK'. I have mentioned a number of other Welsh 'stream' words in Weaver's Comments Box.

CORNWALL: since I seem to be moving in that direction!

Perhaps my favourite word here is 'ZIGHYR' or 'SIGGER' or sometimes 'SIGIJR'. The word means 'lazy', and can be used 'when a very small slow stream of water issues through a cranny underground'. (See here, and scroll down to 'Z').

NORFOLK: and the Broads (see here)

It is worth remembering that Charles Dickens had some knowledge of the Norfolk accent, since he put it to good use in the speech of the Yarmouth fishermen, Ham and Daniel Peggoty in 'David Copperfield'. I love the word, 'GRIP' (or occasionally 'GRIPPLE' or 'GRUP') for a small drain, stream, or 'BECK' (such as Suffield Beck). A 'LODE' or a 'LOOD' tends to be a constructed watercourse. To draw a 'DYKE' (like Catfield Dyke) or a 'DIKE' (like Tunstall Dike) means to clear out a ditch. Norfolk 'DYKES' are normally watercourses, though occasionally they are the high banks on either side - more in keeping with e.g. Offa's Dyke. A 'FLEET' (as in Rockland Fleet) is a channel - or occasionally more of a drain - leading from the river to a Norfolk Broad. Those majestic Norfolk Wherries would have sailed up Rockland Fleet in days gone by, bound for the staithe where I used to paddle about with oars. I have happy memories of watching the 'Albion', one of the last of these fine sailing craft. In Broadland, you also get 'SOUNDS' (e.g. Heigham Sound, sandwiched between Candle Dyke and Meadow Dyke). These are channels or stretches of water - I wouldn't class them as streams - that link the different sections of the waterways. Then there are the water 'RUNS' (e.g. Blocka Run at St Olaves) and the 'CREEKS' (e.g. Boathouse Creek near Dersingham).

SOMERSET: the Levels

I have not spent very much time on the Somerset Levels; but when the opportunity arises, I always find myself greatly enjoying this strange landscape with its peat and sedge. The word that immediately comes to mind, 'RHYNE' (e.g. Eighteen Feet Rhyne) or 'RHINE', is a drainage ditch or canal. Its purpose was to turn areas of low-lying wetland into pasture. I particularly like the area around Shapwick Heath.

* * *

So that just about completes my mini-tour of stream words. On another occasion I might have re-visited other parts of Britain that I know well. If you feel that Cornwall has not been paid much attention, well, perhaps it is because I have saved one of my favourite items until the end of this post. I wonder if you know the wonderful dialect poem, 'The Quest for the Gwidgy-gwee' by Joseph Thomas (1840-1894). You can read it here on the Old Cornwall site; and encounter perhaps for the first time, the lizamamoo and the padgypaow. You may find this Cornish dialect glossary of help. Enjoy...

... and be sure to visit Weaver's blog for a 'wordle'* of watery words. There is now a particularly good list of Welsh one on her blog here.


* My thanks to Peter Gulliver, Jeremy Marshall and Edmund Weiner for this information in their splendid book, 'The Ring of Words: Tolkien and the Oxford English Dictionary' (OUP 2006).

* Wordle