Showing posts with label Pam Job. Show all posts
Showing posts with label Pam Job. Show all posts

Tuesday, 20 March 2018

'Towards the light', a new poetry anthology on 'reconciliation'



There are a number of artistic projects commemorating the end of the First World War, and this book, Towards the light, represents one that is particularly close to my heart.

Pam Job and Judith Wolton embarked on a poetry enterprise that would lead to the production of two anthologies, one on conflict (so too have the doves gone) at the beginning of the commemorative period, and now this one on reconciliation to mark the end of the hostilities.

Sadly the snow meant that a number of us had to miss the launch at the Essex Book Festival, but there will be other events as the year goes by.

Poets who had been involved in the initial anthology project were invited to submit work for the second. Editor, Vivien Whelpton, selected my acrostic poem, 'Et in terra pax', about the surreal yet hopeful time when strains of 'Adeste fidelis' rang out across No Man's Land.

The new anthology, published by Kapaju Books (2018), sports a cover design by Karen Dennison. It includes a Preface by the editor, who writes that...

'Vivid metaphors bring home to us both the pain and difficulty of reconciliation and the joy it brings...'

Friday, 27 March 2015

Poetry Evening at poetrywivenhoe with Martin Malone


Wivenhoe, late afternoon yesterday

Sincere thanks are due to Peter Kennedy, Pam Job and other organisers of poetrywivenhoe for a wonderful evening with you last night, headed up by Martin Malone, poet and editor of The Interpreter's House. Martin was the outright winner of the Wivenhoe Poetry Competition 2011, with his poem 'Digitalis' about his father's 'summer of love'. 

Martin Malone at the microphone

Martin shared with us a mix of old and new work. He gave us a flavour of some of his latest poems, new takes on Great War themes, that will make up the practice element of his PhD. He also read from The Waiting Hillside, his first collection, published by Templar Poetry (2011). 

I had attended a poetrywivenhoe event once before, for the 2014 launch of the so too have the doves gone anthology, and it was good to return.  It was a privilege to be invited as the (relatively) local reader and a joy to be there among a host of poets, many of whom read to us during the 'out of the hat' Open Mic slot in the middle of the evening. 

My set comprised poems largely but not exclusively from my chapbook, The Holy Place, co-authored with John Dotson, and published by The Seventh Quarry in Swansea in conjunction with Cross-Cultural Communications in New York. 

Martin signing copies of The Waiting Hillside and The Interpreter's House (with Stuart Mugridge's cover illustration)

It was good to meet up with Rebecca Goss again. I had attended her stimulating workshop at Writers' Centre Norwich on the 'coast' last autumn. It was also a pleasure to meet MW Bewick (last month's poetrywivenhoe reader), one of the two editor-publishers of Dunlin Press, who have just launched the volume of 'Collected Reports from East Anglia', Est.  

Peter Kennedy, Pam Job, Caroline Gill, Martin Malone

ditto

Conversation with MW Bewick (left)

The Ceilidh House, Skye

 Thank you, poetrywivenhoe! 


Wivenhoe at sunset

Monday, 15 September 2014

Anthology Launch at the Winchester Poetry Festival 2014


I heard some months ago that my Edward Thomas tribute poem, 'Literally, for this', had been selected for inclusion in an anthology to mark the centenary of the First World War. The book, so too have the doves flown, was edited by Stephen Boyce, Pam Job and Judith Wolton and published by Jardine Press. The poems were largely written by poets residing in Essex and Suffolk.

I initially came across the name, Edward Thomas, many years ago through the poet's most widely known poem, 'Adlestrop'. Since then I have visited the site of the small village station that fell victim to the Beeching cuts and I have also visited Dymock.

Prior to fighting in France, Thomas spent the last years of his life in the small Hampshire village of Steep. I knew the village through two other tribute poems, 'All day it has rained' and 'To Edward Thomas' by Alun Lewis, but had never had the chance to visit.  

so too have the doves flown was being launched at the Winchester Poetry Festival - and with Steep only twenty miles from the venue, the opportunity finally presented itself.



We found the Norman church of All Saints in Steep, nestling under Stoner Hill and the Shoulder of Mutton. The door opened and we were able to take a look around.



It did not take long to spot the poet's name. There was also commemorative stained glass by Laurence Whistler. We left the church and drove past Bedales before proceeding on our way up Stoner Hill, under the leafy canopy of Ashford Hangers.



We arrived at the Discovery Centre, venue of the Winchester Poetry Festival, the following morning, in time to have a cup of coffee, buy from the secondhand bookstall, check out the Magma stall, vote for a favourite painting and peruse the Edward Thomas exhibition curated by the Petersfield Museum.


David checking out the exhibition area

We came across Pam Job and Judith Wolton with Stephen Boyce, who is not only editor of so too have the doves gone but also trustee and co-Artistic Director of the Winchester Poetry Festival.

Judith Wolton (with hand on top of board), CG, Pam Job and Stephen Boyce

It was soon time to wander across the road to the Green Room ... 


... before taking our seats back in the Discovery Centre in preparation for the event.


Stephen Boyce gave a welcome and an introduction before Judith and Pam delivered their presentation on the inspiration behind the anthology project.

Reading 'Literally, for this' ... with Pam Job behind the table

It was soon time for the readings.



The poems in the book are very varied and cover different eras and geographical locations, but all address the theme of conflict and our human response to times of war and unrest.




My thanks are due to the editorial team and to Stephen Boyce for inviting us to take part. The 2014 Winchester Poetry Festival 'had three interwoven themes: to commemorate the poetry of the First World War, to celebrate Hampshire’s contribution to our literary heritage and to bring together a fine array of leading contemporary poets.' I hear a rumour that a second festival is planned for 2016 ... 

* * *
Postscript

I was sorry to miss the Edward Thomas talk by Edna Longley, but I was delighted to sample a small slice of what the festival had on offer. As David's biscuit poem below demonstrates, there was something to suit all tastes ...




A little light relief was provided by the two Poetry Posties, who allowed a certain intruder ...


... to pedal off on their tricycle. I hope he delivered the pile of special poem packets. I, for one, was delighted to receive one of these from the Poetry Posties at The Poetree. I'm hoping the surprise contents will bear fruit in organic ways, both in my garden and at the tip of my pen. 

David riding off on The Poetree Poetry Postie tricycle


 Festival Blog Posts

Saturday, 8 March 2014

'so too have the doves gone' ~ anthology launch at Essex Book Festival


We had an excellent evening at The Minories in Colchester last night, launching the new poetry anthology, so too have the doves gone, to mark the anniversary of the Great War.

The book, published by Jardine Press, was edited by Stephen Boyce, Pam Job and Judith Wolton. It contains contributions from a range of poets, largely but not exclusively from Essex and Suffolk. The evening began with a slideshow of the new Wilfred Owen Memorial at Forester's House in northern France, a building summed up in the metaphor, 'bleached bone'.

The event was part of the Essex Book Festival and was very well supported. Poems spanned wars from Homer to the present day. There were many different 'takes' on the theme of conflict and peace. I read my Edward Thomas poem about the poet's decision to enlist.



The evening afforded guests the opportunity of viewing the complementary artwork produced by students of Fine Art at Colchester Institute. Many of the images have been reproduced in the book.

The anthology concludes with a poem called 'The Standard of Ur' by Julia Brady. It draws to a close with the thought that 'art ...builds up some clear-cut arguments for peace.' If the poems and ekphrastic images in the book promote something along these lines, they will surely have done their work. 



Postscript: see here for a review by Dave Martin.

Wednesday, 15 January 2014

Poetry Anthology ~ 'so too have the doves gone'



The anthology, edited by Judith Wolton and Pam Job, explores the subject of conflict and marks the centenary anniversary of the outbreak in 1914 of World War I. It includes my Edward Thomas tribute poem. 
Further details of the launch event and of the Essex Book Festival can be found here.