I am delighted that my Tanka about a piece of sea-glass has been selected for The Colour of Poetry exhibition. Submitted Tanka had to be suitable for a hospital environment. Visual artists will use colour to express their emotional response to each poem selected for the exhibition and the two pieces - artwork and poem - will be exhibited together in the Northern Health and Social Care Trust.
Wednesday, 8 April 2015
Tanka selected for Exhibition
I am delighted that my Tanka about a piece of sea-glass has been selected for The Colour of Poetry exhibition. Submitted Tanka had to be suitable for a hospital environment. Visual artists will use colour to express their emotional response to each poem selected for the exhibition and the two pieces - artwork and poem - will be exhibited together in the Northern Health and Social Care Trust.
Friday, 27 March 2015
Poetry Evening at poetrywivenhoe with Martin Malone
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| Wivenhoe, late afternoon yesterday |
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| Martin Malone at the microphone |
Martin shared with us a mix of old and new work. He gave us a flavour of some of his latest poems, new takes on Great War themes, that will make up the practice element of his PhD. He also read from The Waiting Hillside, his first collection, published by Templar Poetry (2011).
I had attended a poetrywivenhoe event once before, for the 2014 launch of the so too have the doves gone anthology, and it was good to return. It was a privilege to be invited as the (relatively) local reader and a joy to be there among a host of poets, many of whom read to us during the 'out of the hat' Open Mic slot in the middle of the evening.
My set comprised poems largely but not exclusively from my chapbook, The Holy Place, co-authored with John Dotson, and published by The Seventh Quarry in Swansea in conjunction with Cross-Cultural Communications in New York.
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| Martin signing copies of The Waiting Hillside and The Interpreter's House (with Stuart Mugridge's cover illustration) |
It was good to meet up with Rebecca Goss again. I had attended her stimulating workshop at Writers' Centre Norwich on the 'coast' last autumn. It was also a pleasure to meet MW Bewick (last month's poetrywivenhoe reader), one of the two editor-publishers of Dunlin Press, who have just launched the volume of 'Collected Reports from East Anglia', Est.
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| Peter Kennedy, Pam Job, Caroline Gill, Martin Malone |
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| ditto |
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| Conversation with MW Bewick (left) |
- poetrywivenhoe
- poetrywivenhoe site: a poem by Martin Malone ('Wood on the Downs') and a poem by me ('The Ceilidh House' - see photo below)
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| The Ceilidh House, Skye |
Thank you, poetrywivenhoe!
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| Wivenhoe at sunset |
Monday, 23 March 2015
Poetry Wivenhoe Reading - Come and Join Us!
My thanks to Poetry Wivenhoe for this invitation. I shall be reading from The Holy Place (with a few other poems thrown in). Do come and join us if you are in the area.
- Poetry Wivenhoe
- Martin Malone, editor of The Interpreter's House
- The Seventh Quarry Press (Peter Thabit Jones, Swansea publisher of my chapbook, The Holy Place)
- Cross-Cultural Communications, New York (The Holy Place was published in conjunction with this NY publishing house)
- John Dotson, co-author of The Holy Place
Saturday, 21 March 2015
21 March: Celebrate World Poetry Day
Happy World Poetry Day
21 March 2015
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| Dylan Thomas Boat House, Laugharne, Wales |
"As
a deep expression of the human mind and as a universal art,
poetry is a tool for dialogue and rapprochement.
The dissemination of poetry helps to promote dialogue among cultures
and understanding between peoples because it gives access
to the authentic expression of a language."
poetry is a tool for dialogue and rapprochement.
The dissemination of poetry helps to promote dialogue among cultures
and understanding between peoples because it gives access
to the authentic expression of a language."
Irina Bokova, Director-General of UNESCO,
Message for World Poetry Day
A decision to proclaim 21 March as World Poetry Day
was adopted during UNESCO’s 30th session held in Paris in 1999.
was adopted during UNESCO’s 30th session held in Paris in 1999.
- An article on the wonders of Children's Poetry from Australia can be found here. A day after our solar eclipse, my chosen article includes a wonderful quotation of Valéry via Sartre. The article is written by Damon Young and comes from The Sydney Morning Herald.
- An article from the USA by Jane Hirshfield on restoring amazement in Poetry can be found here.
- And finally, is your poem worth a cup of coffee? See what The Guardian has to say about the World Poetry Day initiative here.
Monday, 9 March 2015
RSPB - a poem in: a poem out
I have donated a hand written copy of my Waxwing poem, 'Red Letter Day, Lattice Avenue', to the RSPB in the hope that they may be able to sell it and raise some funds for wildlife. My poem was first published in 2014 in Reach Poetry (Indigo Dreams Publishing).
By the same token, we bought a hand written copy of Professor David Morley's poem about Goldcrests. I am looking forward to its arrival from the RSPB. The Society had a file of bird poems (well, wildlife in general, but mainly birds) at the Norfolk Festival of Nature. Matt Howard, RSPB Eastern Region Community Fundraiser has been coordinating the venture. Poets who have donated work include Matt Merritt, Kathleen Jamie and Heidi Williamson. Wendy Cope had given a Haiku, which I expect will find a home before long.
Labels:
Goldcrests,
Heidi Williamson,
Kathleen Jamie,
Matt Merritt,
RSPB,
Waxwings,
Wendy Cope
Monday, 2 March 2015
Stanza Bonanza ~ Suffolk Poetry Society and Poetry Swindon
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| Arriving at the Poetry Cafe - with Elizabeth Bracken |
Six poet members of the Suffolk Poetry Society were invited to take on a team from Poetry Swindon at the Poetry Society's monthly Stanza Bonanza. Paul McGrane from The Poetry Society was our host. Maurice Spillane (Poetry Swindon) and David Gill (SPS) acted as MCs for the teams.
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| Reading my set, largely from The Holy Place |
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| Team Swindon and Team Suffolk |
Back: Maurice Spillane (Poetry Swindon poet and MC)
Middle: Kate Foley (SPS), Elizabeth Bracken (SPS), Hilda Sheehan (Poetry Swindon), me (SPS), Cristina Newton (Poetry Swindon), Sam Loveless (Poetry Swindon), Louise Crossley (Poetry Swindon)
Front: Florence Cox (SPS), George Morehead (Poetry Swindon) and Cro Page (SPS)
SPS Reserve poet: Sue Wallace-Shaddad
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| ... with Paul McGrane, host and organiser from The Poetry Society |
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| David Gill, MC for Suffolk Poetry Society |
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| Maurice Spillane, MC for Poetry Swindon |
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| Thank you, Paul and The Poetry Society, for a riveting evening! * |
- Previous post: Poetry in the Realms of Gold at The Queen's Gallery, Buckingham Palace
- Wild and Wonderful Wildlife blog: Margaret Atwood at The Norfolk Festival of Nature
Monday, 16 February 2015
A Poetry Evening at The Queen's Gallery, Buckingham Palace
| MUCH have I travelled in the realms of gold, | ||
| And many goodly states and kingdoms seen ... |
| 'On First Looking into Chapman’s Homer' | |
| John Keats (1795–1821) |
The Poetry Society laid on a glittering event, In the Realms of Gold, in The Queen's Gallery at Buckingham Palace last week. We were given the opportunity of hearing Forward Prize-winner and Next Generation Poet, Kei Miller, and his supporting cast of Poetry Society poets whose work on the theme of 'gold' had been selected by Kei.
We enjoyed a private view of the Gallery's current exhibitions, Gold and Cairo to Constantinople. I had spent a birthday book token on Kei's latest collection, The Cartographer Tries to Map a Way to Zion (Carcanet 2014), so was familiar with the poems 'on the page', but it is always fascinating to hear the same poems 'from the stage'. You can read Carrie Etter's Guardian review of the book here.
Labels:
gold,
Homer,
Kei Miller,
The Poetry Society,
The Queen's Gallery
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