Border Crossings II: Suffolk Poetry Society and Poetrywivenhoe

David (Gill) and I were both taking part in the Border Crossings II poetry evening last night with Suffolk Poetry Society (SPS) and Poetrywivenhoe. Last year's theme of 'the natural world' played more to my strengths, but I found I was able to produce a set on 'conflict and resolution' (Homer, the Great War and Edward Thomas ...), so all was well.

David welcomed the gathered company to the University of Suffolk. SPS Chair, Florence Cox, and her colleagues on the committee presented the poets and the poetry.

We always enjoy meeting up with the team from Poetrywivenhoe, and the chance to renew friendships and to hear different voices. Not surprisingly, a number of us from both poetry societies read poems from Towards the Light, the new anthology on 'reconciliation'. My poem in this publication grew out of my response to a stained glass window representing the Christmas Truce of 1914.

The Natural World - a Poetry Event for UNESCO World Poetry Day 2017

Fin whale jaw at Clachtoll in Assynt, Scotland

We marked UNESCO World Poetry Day last night with a reading event at the University of Suffolk, attended by students and local (and not-so-local) poets. Suffolk Poetry Society hosted the evening, and our guest readers were members of Poetrywivenhoe. Huge thanks are due to those who organised the event, providing refreshments, amplification and so much more.

Our theme, 'the natural world', produced poems on edgelands, coastlines (including a magical depiction of the essence of low tide from Pam Job) - and wildlife along railway tracks. There were seasonal references and a few slant-allusions to climate change and conservation initiatives. Subjects ranged from a female eel-catcher (Alex Toms) to a view from the train of the iconic swans at Manningtree (David).

I bought a copy of Ornith-ology from the book table. This beautiful anthology of birds in poetry and art was edited by Tim Cunningham for Poetrywivenhoe and the Mosaic stanza. M.W. Bewick, one of the Wivenhoe readers, brought copies of three Dunlin Press books, including his striking poetry collection, Scarecrow, which has just been launched.  

I read a couple of my poems, 'Moonshine', about the appearance of a Snowy Owl in Cornwall in 2009, and 'Notes from a Netting Station' about the fin whale bone in the photo above that lies, rotting, in the north of Scotland, near the old salmon netting station at Clachtoll in Assynt.

Poetry gatherings often find their own organic themes when no theme is proffered, but I felt the subject last night provided a sufficiently wide canvas to allow plenty of scope for interpretation, while, at the same time, making us feel we were travelling together on a journey of discovery.

'Nature is ever at work...' John Muir

Poetry Evening at poetrywivenhoe with Martin Malone

Wivenhoe, late afternoon yesterday

Sincere thanks are due to Peter Kennedy, Pam Job and other organisers of poetrywivenhoe for a wonderful evening with you last night, headed up by Martin Malone, poet and editor of The Interpreter's House. Martin was the outright winner of the Wivenhoe Poetry Competition 2011, with his poem 'Digitalis' about his father's 'summer of love'. 

Martin Malone at the microphone

Martin shared with us a mix of old and new work. He gave us a flavour of some of his latest poems, new takes on Great War themes, that will make up the practice element of his PhD. He also read from The Waiting Hillside, his first collection, published by Templar Poetry (2011). 

I had attended a poetrywivenhoe event once before, for the 2014 launch of the so too have the doves gone anthology, and it was good to return.  It was a privilege to be invited as the (relatively) local reader and a joy to be there among a host of poets, many of whom read to us during the 'out of the hat' Open Mic slot in the middle of the evening. 

My set comprised poems largely but not exclusively from my chapbook, The Holy Place, co-authored with John Dotson, and published by The Seventh Quarry in Swansea in conjunction with Cross-Cultural Communications in New York. 

Martin signing copies of The Waiting Hillside and The Interpreter's House (with Stuart Mugridge's cover illustration)

It was good to meet up with Rebecca Goss again. I had attended her stimulating workshop at Writers' Centre Norwich on the 'coast' last autumn. It was also a pleasure to meet MW Bewick (last month's poetrywivenhoe reader), one of the two editor-publishers of Dunlin Press, who have just launched the volume of 'Collected Reports from East Anglia', Est.  

Peter Kennedy, Pam Job, Caroline Gill, Martin Malone

ditto

Conversation with MW Bewick (left)

• poetrywivenhoe
• poetrywivenhoe site: a poem by Martin Malone ('Wood on the Downs') and a poem by me ('The Ceilidh House' - see photo below) 

The Ceilidh House, Skye

 Thank you, poetrywivenhoe! 

Wivenhoe at sunset