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From the blurbs:
“In Polar Corona, Caroline Gill offers a vivid and precise depiction of Antarctica’s landscape and wildlife, especially the seasonal rhythms of penguins’ lives, interwoven with a poignant exploration of human fortitude in this most testing of environments. Her marvellous ear for the music of a poem is evident throughout and the intricate pattern of mostly half rhymes cleverly accentuates the pervading sense of risk and unpredictability."
– Susan Richardson, Author of Where the Seals Sing (William Collins, 2022) and Words the Turtle Taught Me (Cinnamon Press, 2018), shortlisted for the Ted Hughes Award
“Caroline Gill has produced a beautifully crafted cycle of poems, in which the final line of each one is taken up by the next until the final poem brings us back to where we began, in a perfect round. These poems bring the Antarctic to life, a vast world of ice and snow, a world of astonishing loveliness, illuminated by the stars, and at the same time a world in which human beings and creatures such as penguins live out a perilous existence."
– Professor J. R. Watson, University of Durham
“When we introduce people to objects, artworks and archives in our polar collections, they are transported to a time and place far removed from our museum in Cambridge. In Caroline Gill’s evocative Polar Corona, she closes the distance and brings the ‘heroic age’ of polar exploration to life. Her words open a window in our imaginations directly onto Antarctica’s remote sights and sounds.”
– Dr Charlotte Connelly, Former Museum Curator, The Polar Museum, Scott Polar Research Institute, University of Cambridge
