Of Poems and Puffins

Puffins have been in the media recently, featuring in Adam Nicolson's BBC4 series, The Last Seabird Summer? There has also been some delightful footage on Wales, Land of the Wild (also BBC) of Puffins breeding on Skomer, a small island off the Pembrokeshire coast.

I had a Puffin poem published recently in #186 of Orbis (and was delighted to find it had received an Honourable mention in editor Carole Baldock's Readers' Awards). My poem, with an epigraph from The Birds by Aristophanes, a comedy about the original Cloudcuckooland, was prompted by a session I attended at the Norfolk Festival of Nature back in 2015, at which Mark Cocker and Margaret Atwood shared with the audience their concern over the nature words that had been dropped from the Oxford Junior Dictionary. My poem does not follow these words, or indeed the ones that feature in The Lost Words by Robert Macfarlane, but I wanted to explore the plight of our threatened sea-birds.

Those who live within reach of Snape Maltings in Suffolk may be interested to know that there is an exhibition, 'The Lost Words - Forget me not', at The Lettering Arts Centre until 26th May.

And, speaking of Suffolk, do buy a ticket and come and enjoy the 6th Festival of Suffolk Poetry in Stowmarket on Saturday 11th May.  

Happy National Poetry Day!

I learned this morning that this is also World Octopus or Cephalopod Day, so here is an octopus from a reconstruction of Nestor's Palace in Homer's 'sandy Pylos' in the western Peloponnese. We visited this remarkable site five years ago. Over 1000 Linear B tablets came to light on this place alone.

And now for a little poetry. Alexander Pope may not be in vogue these days, but his rhymed version of The Odyssey gives a flavour of the storyline in the old epic (and it is a version that is out of copyright). What follows (in blue) are three excerpts from Pope, concerning the arrival of Odysseus' son, Telemachus, at Nestor's Palace. Telemachus is anxious for news of his father, who left his island home of Ithaka to fight in the Trojan War. Nestor is making animal sacrifices on the beach when his visitor arrives. 

Reconstruction of Nestor's Palace floor in the Chora Museum - octopus motif

Now on the coast of Pyle the vessel falls,

Before old Neleus’ venerable walls.

There, suppliant to the Monarch of the Flood,

At nine green theatres the Pylians stood.

Each held five hundred (a deputed train),

At each, nine oxen on the sand lay slain ...

Reconstruction of the Megaron floor in Nestor's Palace, Museum at Chora

Full for the port the Ithacensians stand,

And furl their sails, and issue on the land.

Telemachus already press’d the shore . . .

The Throne Room, with a huge central hearth

The youth of Pylos, some on pointed wood,

Transfix’d the fragments, some prepared the food:

In friendly throngs they gather to embrace
      
Their unknown guests, and at the banquet place.

Pisistratus was first to grasp their hands,

And spread soft hides upon the yellow sands;

Along the shore th’ illustrious pair he led,

Where Nestor sate with youthful Thrasymed.


from Alexander Pope's version of The Odyssey Book III. You can read the whole chapter here. 

Reconstruction of Nestor's Palace

Nestor's Palace - as it is now

• If I was suggesting a good modern translation of The Odyssey, it would be the one by Richard Lattimore. 
• You might be interested in Adam Nicolson's book, The Mighty Dead: Why Homer Matters, which I have just started to read.
• And, of course, the poem, 'Ithaka' by Cavafy is one of my all time favourites. 
• More octopuses! John Pinsent (1922-1995), a Classical scholar and Reader in Greek at Liverpool University, wrote a study called 'The Iconography of Octopuses: a First Typology' (BICS 25, 1978) about the development of octopus representations in late Mycenaean vase painting. I remember him giving a fascinating lecture on the subject in Newcastle when we were undergraduates.