Magazine Moment (30): Poems in Bengali / American Magazine, Shabdaguchha

Not exactly a [Keatsian] fading rose - as in my poem, 'Swansong' - but more picturesque

I discovered this morning that the latest issue of Shabdaguchha, a Bengali-American publication, is now online and features three of my poems. Hard copies are also available.

Shabdaguchha is under the editorship of Bangladesh-born, New York-based poet, novelist, critic and translator, HassanAl Abdullah. You can reads a feature about him here. 

Issue 53/54 includes a section prepared by Peter Thabit Jones (editor of The Seventh Quarry magazine) and dedicated to the work in English of 'Welsh Poets'. It is always a pleasure (though a rare one) to find that David (Gill) and I have poetry in the same volume! Our first joint appearance in the poetry press was, I believe, in the Pairs Issue of Purple Patch, edited by Geoff Stevens, whose recent death brought shockwaves of sadness to the poetry fraternity. Our paired poems on that occasion were - not surprisingly - on the archaeology and topography of Greece. Our Shabdaguchha pieces have been published alongside poems by Peter Thabit Jones, Aeronwy Thomas (d.2009), Jean Salkilld (leader of Swansea's Tuesday Poetry group) and Lynn Hopkins.

In addition to the Welsh poetry, the current magazine includes sections in Bengali and English. A poem called 'No Cats on the Yangtze' by Stanley H. Barkan, editor of Cross-Cultural Communications in New York, particularly caught my eye. My thanks to HassanAl Abdullah - and many congratulations on the 14th anniversary of the magazine. 

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Details of how to purchase a hard copy of the magazine can be found by clicking here. Issue 53/54 Vol. 14, no.1-2, July-Dec 2011 of Shabdaguchha contains the following poems by the Gills ...

Caroline

• Elegy for Idris Davies
• Preseli Blue
• Swansong

David

• Standing Alone
• From Syracuse to Manhattan
• Gloucestershire in the Negev

Calendar Corner (2): National Poetry Week 2011

We have enjoyed a variety of literary events this last fortnight. We celebrated National Poetry Day (or 'Week' in South Wales) at Number 5 Cwmdonkin Drive, birthplace of Dylan Thomas. Thanks are due to Annie and Geoff for laying on a number of events, and to Peter Thabit Jones of The Seventh Quarry for organising a programme of readings for last Saturday night.

It was good to meet Ian Griffiths of the Suffolk Poetry Society and Geraldine Green from Cumbria. Singer-songwriter, Maria Lindström from Sweden, was on tour, and read some of her work bilingually. We were sorry not to coincide with Susan Richardson, who was performing on a different evening. Peter Thabit Jones directed - and acted in - a performance of his verse drama, 'The Boy and the Lion's Head'. David and I read alongside fellow Quarry Poets, Jean Salkilld (Tuesday Poets) and Lynn Hopkins (author of 'Creatures of a Dead Community', Seventh Quarry Press). Jill Goodwin-Croke read poems by Dylan and Caitlin's daughter, Aeronwy Thomas, including one about walking in her father's shadow in a literary kind of way.   

'Games' was the assigned theme for this year's National Poetry Day, so I chose my poems with this in mind, reading 'The Ocean's Tears' (a Tercet Ghazal about a children's tide fight) and 'Lament of a Lewis Chessman' - about chess (just in case you were in any doubt!). 

Exchanging news and views at Number 5

A lot seems to have happened since then!

We spent this afternoon in UCS at a lecture by Faber novelist, Louise Doughty, sponsored by the Suffolk Book League. Louise's latest novel, 'Whatever You Love' was shortlisted for the Costa Novel Prize and longlisted for the Orange Prize for Fiction. Louise, however, is also well known for her how-to book, 'A Novel in a Year' - and I was pleased to buy a signed copy from her before she left Ipswich.

University Campus Suffolk, Waterfront, Ipswich - venue for Talk by Louise Doughty

Poetry Matters (18): 'Creatures of a Dead Community' by Lynn Hopkins

Author: Lynn Hopkins (picture of cover used with poet's permission)

Publisher: Peter Thabit Jones, The Seventh Quarry Press (2011), The Seventh Quarry

Photographs: Moelwyn Hopkins

Illustrations: Rhian Elin Thomas  

Price: £4.50 

ISBN: 978-0-95674547-3-6

'From a lofty bed,

two hands clasp a kernel

as if in prayer'

from 'The Grey Invader' by Lynn Hopkins

It is hard to think of Swansea without picturing the curve of the bay. It is an iconic yet ever-changing seascape that can be enjoyed from numerous angles. If we associate Peter Thabit Jones with the view from Kilvey Hill, we can now link Lynn Hopkins with those sweeping vistas from another vantage point where 'sea breezes blow', namely the hillside that 'stands in stillness', supporting Oystermouth Cemetery.

This 'dead community' has found a special place in Lynn's affections. For her the cemetery is a place of 'peace in beautiful surroundings'. It is a place that has inspired her first collection, a sparkling quiverful of twelve poems about the wild creatures that make their home around the graves. They are very much alive, and for Lynn their presence proves that 'life goes on, even in a dead community'.  

I have known Lynn for some years, although our paths have not crossed frequently. She is currently a student on the part-time humanities degree at Swansea University. It was a privilege to attend the recent launch of Lynn's volume, and to hear the poet reading her own work. Artistic acheivement runs in the family: Lynn's husband was also a published poet. It was a thrill to meet the poet's daughter, Rhian, whose delightful illustrations are the perfect complement to her mother's words and to her brother, Moelwyn's photography. It is not often that three members of a family have worked together on a project of this nature. 

Publisher, Peter Thabit Jones, adds that Lynn's poems are 'accessible, sound-textured and tender'. He makes the shrewd observation that although they are written in English, Lynn is bilingual and brings to her work that added dimension or 'sense of craftsmanship employed by poets working in Welsh.' Lynn's detailed approach is both arresting and engaging: the poet weaves her stories of the wild creatures into a compelling warp and weft of carefully chosen words. 

In this poem-sequence, we encounter the statue on the cover (see above) of a pensive woman, clutching her 'private book'. Word and image combine to conjure up a sense of the pain of loss, but they also manage to convey a fragile sense of future: the reader is encouraged to consider the possibility of a time when tears will be no more. But for the present, this woman of stone has to suffer the dubious company of her faithless feathered companions, the 'Magpie, raven, and rowdy rook'. 

The choice of vocabulary keeps the reader alert. Just when we are tempted to feel that all is tranquil and serene, with butterflies fluttering over 'this haven of rest', we are reminded that it is folly to think of this place as an entirely peaceable kingdom. Instead, we are confronted with the stark reality of the horrors of death and war and 'butchered hearts'. The black cat 'with two sides' to its face sums up this paradox to perfection.  

So thank you, Lynn, for introducing us to your new circle of companions - the snail, the 'wily' fox, the 'brown owls' on their 'brittle boughs' - and all the other cemetery dwellers. Thank you for helping us to appreciate the world around us in a new way from the perspective of a place where sea meets sky, and where heaven and earth are bound in life and death.  

If you would like to buy a copy of this captivating and lyrical collection, I suggest you follow this link to The Seventh Quarry Publications, and scroll down to the bottom of the page for contact details.

• Lynn Hopkins: Part-time Degree Student’s Publishing Success